Jorge Cardoso Vals Peruano Pdf 13 ^NEW^
How to Play Vals Peruano by Jorge Cardoso: A Step-by-Step Guide
Vals Peruano is a beautiful piece for solo guitar by Jorge Cardoso, a renowned Argentine composer and guitarist. It is based on the Peruvian waltz, a musical genre that originated in the 19th century and combines European and African influences. Vals Peruano is one of Cardosos most popular works, and it showcases his mastery of melody, harmony, rhythm, and technique.
Jorge Cardoso Vals Peruano Pdf 13
In this article, we will guide you through the main sections of Vals Peruano, explain some of the musical concepts and challenges involved, and provide some tips and resources to help you learn and play this piece. We will also show you where you can find the PDF file of Vals Peruano for free online.
Section A: Introduction and Theme
The piece begins with a short introduction that sets the mood and establishes the key of G major. The introduction consists of four bars of arpeggios that outline the chords G, Em, Am, and D7. The arpeggios are played with a free stroke technique, meaning that the fingers pluck the strings without resting on the adjacent strings. This creates a clear and resonant sound that contrasts with the rest stroke technique used later in the piece.
The theme of Vals Peruano starts at bar 5 and lasts until bar 20. The theme is a simple but catchy melody that is played mostly on the first string with some occasional notes on the second string. The melody is accompanied by a bass line that follows the chord progression G, Em, Am, D7. The bass line is played with a rest stroke technique, meaning that the thumb plucks the string and rests on the next lower string. This creates a strong and percussive sound that emphasizes the rhythm of the waltz.
The theme is repeated twice with some slight variations in the melody and the bass line. The first time, the melody ends on an F# note at bar 12, creating a half cadence that leads to the second repetition. The second time, the melody ends on a G note at bar 20, creating a perfect cadence that closes the section.
Section B: Modulation and Development
The second section of Vals Peruano starts at bar 21 and lasts until bar 36. This section modulates to the relative minor key of E minor and develops some of the musical ideas from the first section. The modulation is achieved by using a pivot chord (Am) that is common to both keys and by introducing some accidentals (F# and C#) that alter the scale.
The development consists of three parts: a descending sequence, an ascending sequence, and a transition. The descending sequence starts at bar 21 and repeats the same melodic pattern four times on different degrees of the scale (E, D, C#, B). The ascending sequence starts at bar 25 and repeats the same melodic pattern four times on different degrees of the scale (E, F#, G#, A). The transition starts at bar 29 and uses some chromatic notes (G#, A#, B) to create tension and anticipation for the return of the theme.
Section C: Recapitulation and Coda
The third section of Vals Peruano starts at bar 37 and lasts until bar 52. This section returns to the original key of G major and recapitulates some of the musical ideas from the first section. The recapitulation consists of two parts: a variation of the theme and a coda.
The variation of the theme starts at bar 37 and lasts until bar 44. It is similar to the original theme but with some changes in the melody and
the bass line. The melody is played mostly on the second string with some occasional notes on the first string. The bass line is played mostly on
the fourth string with some occasional notes on the fifth string.
The coda starts at bar 45 and lasts until bar 52. It is a short but effective ending that uses some elements from both sections A and B. It begins
with a descending sequence similar to section B but in G major (G, F#, E, D). It then repeats part of the c481cea774